Blogs

This Game’s Called Murder

The right project always seems to come around at the right time. In the spring of 2020, I was in the midst of a variety of scoring projects when the Coronavirus pandemic hit.  My life and my work ground to an immediate screeching halt. Suddenly, I was stuck at home, unable to collaborate directly with filmmakers or musicians. While I had a few of my own personal projects to keep my creative flame burning, I found myself, for the first time in nearly twenty years, with relatively little professional scoring work while I waited for production to resume on series, films and games. All of sudden, along came This Game’s Called Murder.  

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Foundation

Isaac Asimov’s profoundly influential Foundation stories and novels chronicle humanity’s distant future, in which a mathematician named Hari Seldon develops psychohistory, a model that accurately predicts the behavior of large populations, and he uses it to foresee the downfall of the Galactica Empire. He and his band of exiled disciples strive to prepare humanity for the coming calamities and make possible the rebuilding of civilization. Many producers struggled to adapt the novels for the screen for decades. At last, David S. Goyer collaborated with Skydance Media to bring the saga to Apple TV+. I was thrilled to write the score for this massive outer space epic.

David S. Goyer and I have known each other for nearly a decade, having collaborated on such projects as Da Vinci’s Demons and Constantine. Years ago, he told me he was developing Asimov’s groundbreaking novels and my imagination exploded. I knew even then I wanted to write an epic hybrid score that blends a massive orchestra and choir with modern propulsive synths. I recalled from having read some of the novels in high school that the concept of mathematics featured prominently in the story. I realized that I would need to find a unique musical signature for math itself, if I were to really capture the spirit of Asimov’s Foundation in music. The ideas rolled around the back of my mind for a few years until at last, the series went into full production and I was brought on as composer.

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