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In Rings of Power, Bear McCreary Scored the Show of His Childhood Dreams

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The Lord of the Rings: Appendices Part 4

SCORING “THE LORD OF THE RINGS: THE RINGS OF POWER”
THE APPENDICES: PART 4
THERE AND BACK AGAIN

This is the fourth of four blog entries chronicling my personal experience scoring the first season of The Lord of the Rings: The Rings of Power. The first, “Journey to Middle-earth,” can be found here. The second, “Themes of Middle-earth,” can be found here. The third, “Forming a Fellowship,” can be found here.

(Photo Credit: Monica D Photography)

CONDUCTING THE FINALE

Composing the score for The Lord of the Rings: The Rings of Power was my primary focus in my early months on the project, but I soon realized there were other ways in which I could contribute to the show.

I was excited to create soundtrack albums, compose material for trailers, do press events, travel to premieres, and – best of all – perform the music live!

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The Lord of the Rings: Appendices Part 3

SCORING “THE LORD OF THE RINGS: THE RINGS OF POWER”
THE APPENDICES: PART 3
FORMING A FELLOWSHIP

This is the third of four blog entries chronicling my personal experience scoring the first season of The Lord of the Rings: The Rings of Power. The first, “Journey to Middle-earth,” can be found here. The second, “Themes of Middle-earth,” can be found here.

JOINING THE FELLOWSHIP

In the summer of 2021, I spent my first creative weeks on The Lord of the Rings: The Rings of Power composing more than fifteen themes that I felt were necessary to tell the story. I did not send a note of music to the showrunners during this time, because doing so would deprive them of the fresh perspective necessary to judge the themes in narrative context. If the themes were all I hoped they would be – memorable, distinct, and inherently conveying essential truths about their subjects – then I believed it best for the the showrunners to hear them in actual scenes.

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