Jessica Rothe leads the returning cast of HAPPY DEATH DAY 2U, the follow-up to Blumhouse’s (Split, Get Out, The Purge series) surprise 2017 smash hit of riveting, repeating twists and comic turns. This time, our hero Tree Gelbman (Rothe) discovers that dying over and over was surprisingly easier than the dangers that lie ahead.
2017’s inventive horror-comedy Happy Death Day told the story of a college girl named Tree who keeps reliving the same day in a perpetual time loop, only to be murdered each night by a baby-masked serial killer. This year’s sequel, Happy Death Day 2U, added even more genre influences to the mix, incorporating elements of science fiction, comedy, and heist films, while pumping up the action, comedy and drama. Returning to composing duties here, my challenge was to retain and adapt thematic material from the first film’s score, and to help support the film as it expands into even more disparate genres.
MILD SPOILERS AHEAD: My score to the first film was built on a foundation of solid orchestral horror techniques, with snarling brass screams, aggressive low string ostinatos, and creepy high string clusters. However, upon that framework were placed the musical components that made the score unique. I represented the main character, Tree, with poppy, upbeat synths, and I supported action scenes with marching band percussion evocative of the film’s collegiate setting. Perhaps the most iconic sound in the score was the theme for the baby-masked killer, built from manipulated audio samples of my daughter Sonatine! I chronicled that experience in this fun behind-the-scenes video: