The Boy

A young American named Greta (Lauren Cohan) takes a job as a nanny for an 8-year-old boy in a remote English village. To her surprise, Greta learns that the child of her new employers is a life-size doll. They care for the doll as if it was human, which helps the couple to cope with the death of their own son 20 years earlier. When Greta violates a list of strict rules, a series of disturbing and inexplicable events bring her worst fears to life, leading her to believe that the doll is alive.

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The Boy

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In “The Boy,” a new psychological thriller film from Lakeshore and STX Entertainment, Lauren Cohan plays Greta, an American nanny who comes to a work for an English family, only to discover that their son Brahms is a life-sized porcelain doll. The film is smart, intimate and well-paced. I was thrilled to be brought on board to compose the score.

“The Boy” has a disturbing premise, and is genuinely terrifying. (I cringed back into my seat at my first viewing!) And yet, I did not feel compelled to focus on the terror with my music. The film’s success comes from the audience following Greta on her journey. She begins skeptical that Brahms is alive, as any sensible person would be. As the film progresses, she gradually comes to question her senses, her convictions, even her sanity. This was the character arc I wanted to highlight with the score: Greta’s growing relationship with Brahms, and her transformation from skeptic to believer. (more…)

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