I will never forget the summer of 2009, when my unique band, The BSG Orchestra, rocked out on a crowded stage in San Diego during Comic Con, performing my score for Battlestar Galactica, just months after the epic series finale aired. The venue was bursting with my brilliant musicians, many of the cast, crew, writers, producers, and executives, as well as fans from around the world. Together, we experienced a collective euphoria, because we all loved the show with the same intense passion. After the last encore, the crowd erupted into an unprompted chant of “So Say We All,” a moment that remains one of the most magical and memorable of my life. As the house lights came up and the crowd dissipated, I collapsed into a sweat-soaked heap on the couch in the greenroom and realized that, for the first in my life, I had no new cues for the show to write. Battlestar Galactica had been the most significant part of my life for six years, and now, with this concert complete, it was over.(more…)
When I was a kid, Star Wars was one of my essential gateways into fiction, into visual storytelling, into film, and into music. I grew up so immersed in the Star Wars universe that I might have spent more time there in my imagination than I did living in the real world!
At age seven, I designed and built LEGO versions of dozens of vehicles, spanning my entire basement floor. I also constructed a Millennium Falcon out of paper plates and VHS cassette boxes (resulting in a model that has survived over thirty years in the closet at my mom’s house). At eight, I stitched together brown strips of fabric and scrap metal to create a Tusken Raider halloween costume. I also hand-wrote my own novelizations of each film, meticulously describing every edit and line of dialog, filling three spiral notebooks, hundreds of pages pressed with of thousands of scribbled lines. At nine, I made a word-search of alien words and names from the books and films that covered twenty pages of graph paper taped together. At ten, I transcribed for piano nearly every cue John Williams wrote for the entire saga, memorizing hours-long piano performances of the scores. I carried this passion with me into my young adulthood, where I waited in line for hours outside Mann’s Chinese Theater in Los Angeles, with my newfound college friends, to have our minds collectively blown by The Phantom Menace on the big screen.(more…)