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Blogs

The Lord of the Rings: Episode 106

In this series of blogs, I explore the musical details of The Lord of the Rings: The Rings of Power. For a comprehensive introduction to my approach and my creative experience, start with my introductory four-part “Appendices:” Part 1 “Journey to Middle-earth,” Part 2 “Themes of Middle-earth,” Part 3 “Forming a Fellowship,” and Part 4 “There and Back Again.” I also blogged about scoring episodes 101, 102, 103, 104 and 105.

SCORING EPISODE 106
“UDÛN”

SPOILERS AHEAD: “Udûn” is unlike any episode of television I have ever scored before. It was substantially more difficult and  demanding even than scoring a feature film. Scoring a big film is a sprint (as I learned on Godzilla: King of the Monsters). The composer blasts down the racetrack, gets to the end in one piece, and can collapse when done.  Television is a marathon. I could not even start “Udûn” until I had already scored five hours of narrative for nearly half a year. Even before I laid down the episode’s first notes,  I was already nearing exhaustion. And when I was done with its fiery climax, I would still need to have in reserve enough strength to keep going for another two months.

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The Lord of the Rings: Episode 105

In this series of blogs, I explore the musical details of The Lord of the Rings: The Rings of Power. For a comprehensive introduction to my approach and my creative experience, start with my introductory four-part “Appendices:” Part 1 “Journey to Middle-earth,” Part 2 “Themes of Middle-earth,” Part 3 “Forming a Fellowship,” and Part 4 “There and Back Again.” I also blogged about scoring episodes 101, 102, 103, and 104.

SCORING EPISODE 105
“PARTINGS”

The fifth episode of The Rings of Power, “Partings,” is the first to cover events in all the series’ major story arcs. As a result, this massive episode not only required I thread together quotations of every theme I’d written thus far, but also necessitated one final new one, and produce a heartfelt vocal song, as well.

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