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In Rings of Power, Bear McCreary Scored the Show of His Childhood Dreams

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The Lord of the Rings: Episode 102

In this series of blogs, I explore the musical details of The Lord of the Rings: The Rings of Power. For a comprehensive introduction to my approach and my creative experience, start with my introductory four-part “Appendices:” Part 1 “Journey to Middle-earth,” Part 2 “Themes of Middle-earth,” Part 3 “Forming a Fellowship,” and Part 4 “There and Back Again.” I also blogged about scoring episode 101.

SCORING EPISODE 102
“ADRIFT”

SPOILERS AHEAD: In the first episode of The Lord of the Rings: The Rings of Power, “A Shadow of the Past,” the score introduced a number of significant musical themes. Over the course of the next two episodes the music will continue to expand as the narrative introduces new characters, locations, and story arcs. “Adrift” brings to the score several significant musical themes and cultural styles that will be central to the story moving forward.

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The Lord of the Rings: Episode 101

In this new series of blogs, I explore the musical details of The Lord of the Rings: The Rings of Power, with one entry for each episode of the series’ first season. For a comprehensive introduction to my approach and my creative experience, start with my introductory four-part “Appendices:” Part 1 “Journey to Middle-earth,” Part 2 “Themes of Middle-earth,” Part 3 “Forming a Fellowship,” and Part 4 “There and Back Again.”

SCORING EPISODE 101
“A SHADOW OF THE PAST”

SPOILERS AHEAD: J.R.R. Tolkien’s legendarium takes place in a universe that was birthed in an event called the Music of the Ainur. Though that formation is not depicted in the beginning of this series, fittingly, the show still commences with music: the audience’s experience of The Lord of the Rings: The Rings of Power begins simply with gentle echoes of a children’s choir over a black screen. I wanted to use this enigmatic opening to establish the first of many musical themes that will guide the narrative experience of this epic story.

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