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Masters of the Universe: Revelation, the new Netflix animated series from celebrated filmmaker Kevin Smith, continues the saga first popularized in the 1980’s by the Mattel toys and comic books, and the Filmation animated series He-Man and the Masters of the Universe. The series is a love letter to this classic era, designed to be nostalgic for fans like me who grew up with the characters forty years ago, and to also appeal to our children, who will enter the fictional world of Eternia for the first time. Revelation serves as a direct sequel to the classic saga by preserving the beloved character designs and occasional goofy one-liners. Simultaneously, the show expands the narrative horizons by raising the stakes, heightening emotional character arcs, and exploring darker themes. The producers reached out to me to craft a musical score that could support this ambitious show.

MEMORIES OF MOTU

I was born in 1979, near the cut off of the generation of kids who would grow up with He-Man and the Masters of the Universe. When I was a young child, He-Man and Star Wars were my first fantasy worlds. Though Star Wars was written with more narrative sophistication, I could visit Eternia every day as the Filmation series bombarded the airwaves. (This is before Netflix, kids. We watched what was on!)

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I will never forget the summer of 2009, when my unique band, The BSG Orchestra, rocked out on a crowded stage in San Diego during Comic Con, performing my score for Battlestar Galactica, just months after the epic series finale aired. The venue was bursting with my brilliant musicians, many of the cast, crew, writers, producers, and executives, as well as fans from around the world. Together, we experienced a collective euphoria, because we all loved the show with the same intense passion. After the last encore, the crowd erupted into an unprompted chant of “So Say We All,” a moment that remains one of the most magical and memorable of my life. As the house lights came up and the crowd dissipated, I collapsed into a sweat-soaked heap on the couch in the greenroom and realized that, for the first in my life, I had no new cues for the show to write. Battlestar Galactica had been the most significant part of my life for six years, and now, with this concert complete, it was over.

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