Category: Other

ASCAP Composers’ Choice Award 2014


I just got home from the ASCAP Awards Banquet, and I’m still buzzing and overcome with emotion. There is no way I’m going to sleep anytime soon. So, I’m blogging instead.  I’ve attended the ASCAP banquet for several years now, and have received awards for having music on the airwaves in popular series. For me, the event is mostly a chance to socialize with other composers who, like me, rarely step out of their studios. This year there was a new award category, the Composers’ Choice Award.  Unlike other ASCAP awards, this one was decided on creative merit and voted on by peer composers. I was tremendously honored to be nominated alongside industry giants Alf Clausen, Dave Porter, Jimmy Levine and Sean Callery.

Apparently there was a tie, so the award was given to both myself and Dave Porter (the composer of one of my favorite series ever!). The honor was amplified when the award was presented by Mark Snow. Seriously… the guy who wrote all the music for The X-Files handed me an award tonight! Mark called out my name, and the next thing I knew I was up on the stage, stammering like an idiot. I was confident I wouldn’t win this one, so I was totally unprepared to say anything.  For the life of me, I can’t even remember what I said.

Now that I’ve had a few hours to mentally digest all this, I want to put my thoughts down. (more…)

The World of Steam: The Clockwork Heart


I almost let 2013 slip by without a blog entry about one of the most unique projects I scored this year, “The World of Steam – The Clockwork Heart.” Here is the complete short film:  

“The Clockwork Heart” is the first episode of “The World of Steam,” a new webseries by Matt Yang King. The concept is elegant: a “Twilight Zone”-style anthology series set in the steampunk genre. During its run on Kickstarter, where it set a record for webseries fundraising, the pilot was endorsed by some very well known geek trendsetters, including Wired, Buzzfeed, Grant Imahara, Felicia Day (with whom I worked on “Eureka”) and Maurissa Tancharoen (with whom I work on “Marvel’s Agents of S.H.I.E.L.D.”). However, none of these people had any influence on me deciding to score “The World of Steam.” I scored this film because it is just really damn good. (more…)

Holiday Gift Guide 2013

Happy Holidays, everyone!

Hoping to make your holiday shopping a bit easier, I’ve compiled all the records and merch that I’ve put out this year into one blog entry. Any soundtrack geek on your ‘Nice’ list will dig this stuff. And geeks on your ‘Naughty’ list as well!  🙂



I’m thrilled to announce that Sparks & Shadows has released t-shirts of my iconic “Bear McCreary: Thirteen Notes” design. Originally unveiled during my 2009 “Music of Battlestar Galactica” tours, these notes are in the frakkin’ ship! 🙂 Fans have been asking for shirts for years and thanks to the good folks at S&S, its finally happening!

CLICK HERE TO ORDER.  Shirts are available for $21.98, in a wide variety of sizes and colors, and they ship internationally.


Metalocalypse: The Doomstar Requiem



The first time I watched Adult Swim’s “Metalocalypse,” I was completely blown away by the animated series’ perfect combination of humor, breathtaking art, long-form storytelling and searingly hilarious insight into the process of making music. The band in the show, Dethklok, had a fantastic heavy metal sound, and I immediately heard influences of Queen, Metallica, Iron Maiden, Ennio Morricone and Basil Poledouris.

Digging through the show’s credits, I was shocked to realize that this incredible music was written and produced by the show’s executive producer, writer and star Brendon Small. I tracked Brendon down through mutual friends and we hit it off. Because we share similar musical tastes, but come from entirely different backgrounds, we found a number of opportunities to collaborate over the years. We produced and performed a Freddie Mercury Tribute Concert, he played guitar on my single “Maverick Regeneration,” and he contributed heavy metal guitars to my score to the upcoming film “Knights of Badassdom.” 

I appreciate Brendon’s guitar contributions to my projects, but always hoped for the chance to return the favor, to be able to add my own style of orchestration to his music. That opportunity finally arrived when he called me to discuss his newest project, “Metalocalypse: The Doomstar Requiem – A Klok Opera.” (more…)


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