I am inspired by the opportunities presented by making music in the digital era, a time in which musical ideas can reach millions of fans instantaneously thanks to the internet. However, I am grateful that the recent resurgence of vinyl as a medium for music, in particular score albums, allows me to communicate with fans in a timeless, analog manner. I have always felt that owning music means possessing something you can hold in your hand, and holding a beautifully mastered and pressed vinyl album feels pretty damn good!
On June 2nd, 2014, I sat alone wearing scrubs and a hospital mask, in a corridor outside a labor and delivery room. The hall was eerily quiet, despite the crescendo of flurrying activity on the other side of the heavy doors. Fighting off claustrophobia induced by my breath against the mask and anxiety ringing in my ears, I struggled to type an email on my phone to two producers at Bad Robot with whom I was scheduled to meet that very afternoon, about the possibility of scoring an exciting new thriller for them. When the meeting was set, I knew there was only one event that could prevent me from attending, and that event was about to happen. An hour later, I became a father. The meeting at Bad Robot would have to wait. Fortunately, everything worked out for the best.
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This weekend marks the theatrical release of 10 Cloverfield Lane, the critically-acclaimed new thriller from producer J.J. Abrams, and director Dan Trachtenberg. The film tells the story of Michelle (Mary Elizabeth Winstead), a young woman who wakes up after a terrible accident to find she’s locked in a cellar with a doomsday prepper named Howard (John Goodman), who insists that he saved her life and that the world outside is uninhabitable following an apocalyptic catastrophe. Produced by Bad Robot and Paramount, this film burst on to the scene last month with a new trailer and Super Bowl commercial, and has since electrified fan speculation.