VERY LIGHT SPOILERS AHEAD: This blog will discuss only plot points made clear from early reviews and trailers.
CHAPTER 1 – INTO MIDGARD
One rainy November afternoon, over three years ago, I walked into Sony PlayStation’s Santa Monica Studio to meet with acclaimed music producers Pete Scaturro and Keith Leary to discuss a new, secret project. Our conversation revolved around folk music, Northern European ethnic instruments, vocal writing, classical thematic development, bombastic percussion and, eventually, Greek and Norse mythology. “Wait a minute.” I said. “Is this… a new God of War?” Their hesitant facial expressions told me everything I needed to know. I realized I was about to tumble headfirst into a daunting and challenging dream project.
For the uninitiated, God of War is massively popular video game series for Sony PlayStation, PSP and mobile platforms that ran for seven games from 2005 to 2013. The games were famous (and somewhat infamous) for their visceral depictions of sex and violence, epitomized by the central revenge-seeking character, Kratos. The franchise had been dormant for years, leaving fans to speculate if we would ever again see a continuation of the character.
In my first meeting at Santa Monica Studio, I realized I was witnessing Kratos’ saga unfold in a surprising new direction, moving away from Greek to Norse mythology. I was brought on board so early that the game had not yet been officially greenlit. There existed only an early build of a prototype level and concept paintings. Yet, these assets showed me that Kratos had matured, that the story would explore deeper themes, and that there was a new central character by his side – his son, Atreus. I was intrigued, and excited to dive in.(more…)
God of War will return for Playstation 4, and I am honored to score it.
In addition to composing all new themes and score for this beloved franchise, I was thrilled to take part in the game’s unveiling, by performing my original theme and gameplay music with a full orchestra at Playstation’s E3 2016 press conference at the Shrine auditorium in front of five thousand people.
Unlike most press conferences, the first sound heard was an orchestra tuning up. Then, I emerged from behind the red curtain and walked to the front of the group. I took a bow, turned to my musicians, and raised my hands. The crowd hushed. Clearly this show would not start with speeches or visuals, but would begin with music. With my arms raised in anticipation, I took a deep, long breath. I reminded myself to enjoy every second of what was about to unfold: scoring a live playing of a video game in real time with a full orchestra. (more…)