Category: Other

Cinematic Shrines of My Youth

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When I was growing up, film scores and movies were my religion, and the local cineplexes and video rental stores were my holy sites. Every weekend, I made pilgrimages to these communal spaces to soak in new movies and cement social bonds with my friends and family. After a recent trip to my hometown of Bellingham, Washington, I realized my childhood’s sacred places had closed, enveloped by merging media conglomerates, or made irrelevant by streaming digital content.

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(Halloween, 1995. That’s me dressed up as Darkman, the titular character from the first major studio film directed by Sam Raimi.)

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Pick One / Child’s Play Videos

In addition to writing music, I spent last spring writing, producing, and directing videos to help get that music out into the world. Here’s a behind-the-scenes look at the creation of my three recent shorts: “Pick One,” “Theme from Child’s Play (Official Music Video)” and “Child’s Play Announcement.”

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“Pick One” is the most cinematically and narratively ambitious short film I’ve tackled in a while. The film originated from a conversation with my friend and agent Richard Kraft in early May in which we strategized how to get the message out into the film industry that I scored four recent films in disparate genres and mediums.

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Summer 2018 Catch Up – Aurora, Tau, and Ryze

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2018 has blasted by in a flash! The last few months have been a whirlwind, and I realize I’ve fallen a bit behind with my blog. With this update, I plan on catching up on a few of the projects I’ve scored that have come out this summer, and I will look ahead at what is over the horizon for the rest of the year.

AURORA – QUEENDOM COME

First up, I was thrilled to collaborate with singer-songwriter AURORA to produce a Celtic-inspired version of her track “Queendom Come.” The single was used by Electronic Arts for the official E3 reveal trailer for Unravel Two.

Last spring, I got a call from my friend Steve Schnur at EA who said that the marketing team really loved this particular AURORA song, but wished it had a more acoustic, even Celtic, sound. Somehow, Steve thought of me as someone who might enjoy doing music in this style! I listened to her song and fell in love with it immediately. The harmonic progression was satisfying, the melody and vocals were haunting, and the lyrics were nostalgic and moving. I knew right away I would have a blast working on the track.

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Philip K. Dick’s Electric Dreams

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Phillip K. Dick’s Electric Dreams is a new science fiction anthology series, making its United States debut this weekend on Amazon. The series assembled versatile writers, producers and directors (including Dick’s daughter Isa Dick Hackett), to reimagine original stories by one of the genre’s greatest authors. I was honored to join this brain trust, scoring three episodes: “Real Life,” “Impossible Planet” and “Kill All Others.”

While the series’ vision was held together by a close group of producers, each episode was treated like a stand-alone film, with unique writers, directors, and in most cases even composers. I had to reinvent my sonic and thematic palette from episode to episode, with no material carrying over from one to the next.

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Score: A Film Music Documentary

This weekend, I flew to New York City for a film premiere. That, by itself, is not unusual. Just a year ago, I was in the city for the world premiere of 10 Cloverfield Lane. This time, however, I was there not in support of a film I scored, but a film in which I am featured! Score: A Film Music Documentary, directed by Matthew Schrader, is the first feature-length documentary to explore the world of film music. As one of the dozens of composers featured in the film, I attended the premiere to help spread the word about this unique film.

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The weekend was fun, exhausting and surprisingly illuminating. (more…)

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